TROMPE- L'ŒIL: DOMESTICITY AND INDUSTRY | 2016
Architectural Design Research
The spaces and the façades of three peculiar cinema architectures are recreated relating trompe-l’œil architecture with film shots.
The House of Mr. Hulot in Mon Oncle (1958) by Jacques Tati.
The Palace in The Royal Tenenbaums (2001) by Wes Anderson.
The Zone in The Stalker (1979) by Andréi Tarkovski.
Reflections on the industrial landscape and the domestic landscape.
